agent of selection

“experimentally

assessing

the need

of such agent”

 

 

agent of

selection,

the hands pulling

your strings

you realise,

you have no spine

no skyline

nothing divine

just sloppy

soppy

floppy

veins bending

(regulated)

blood flow

 

 

 

agent of

selection,

you were never

the one

in control

run back

before the patrol,

make sure to

disintegrate your

soul

 

 

agent

of selection,

and so “the organisms

that are better suited to their

environment

survive

 

 

the pressure”

 

 

pressures that

squeeze you into

a drop of oil:

pull, tug and

grind you up into

a canned shaped

compressed

version of meat,

not anymore

you.

they’ll put a

label on this

can:

not your name

but your

dolla

dolla

bill

worth

 

 

 

agent

of selection,

only the

most suited

survive

so open your mouth

and give them numbers

upon numbers

of only the highest percentile

promised of

how you’re

“flexible”

“adaptable”

“always ready to

learn”

 

 

3 words

to describe

yourself,

tell me about

your biggest

challenge

prove

prove

prove

you’re worth survival

in this maze

of green paper

 

 

“selective agent

picking

the

better

suited

for the environment”

 

 

between

two tectonic plates

small organism,

will you survive?

 

 

between

polished shoes and

ticking time bombs,

small organism,

will you survive?

 

 

will you survive?

will you survive?

will you survive?

 

 

 

 

 

 

 

 

 

 

 

 

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capsize

I can’t muster up,

roll up,

a compendium of courage

just enough

to balance onto this string,

so i’m always on

tiptoes,

either grappling for gravity

or

floating (so high I can’t feel my fingers)

 

 

teach me these few

things, how not to:

clip fingernails to

split knives, then try to trace my face

or smash teacups

because the house has

ceased to whisper (i can’t stand silence)

or scorch the tips of pencils

when words stay hanging below my throat,

limply,

refusing to move any

farther onto paper

 

 

sometimes,

if my mind eases on the accelerator,

i’ll make sure to

stand under a storm

and hope for lightning

i’ll have my hands full of

plasma coalesced into electricity

(so blue it could burn your eyes)

at least there’s this

effervescence,

that I can dissect,

squint into,

pick and fiddle with

like an old toy

made out of unknown

mechanisms

watch me

step onto that minefield covered

mind of mine

ready to explode

with just an exhale

in the right direction

 

 

my life is a time bomb

and i’m running away from

the silence between each tick

tick

tick.

from feeling like

an empty hotel room with

undone beds.

don’t leave me vacant,

 

 

 

I’d rather capsize a boat

than have it afloat

 

Dragon’s breath//inspiration

crimson

vehement

red

passion feels

like a dragon’s exhale

on your skin

and

when it hits

in parallel lines

below your brows

you light up like a match

and burn

burn

burn

 

 

and that’s when the mystical

starts

hands take control

neurons breaking

synapses connecting

clicking

collapsing

electrical inspiration

whether it be

with a pen

or brush

or C majors

you tailor

your own little

reality

incapsulated

with your essence

a fountain fuelled

by the immeasurable

past future,

space time

the giant climb

before you

 

 

this newborn

baby

born into

creation

born out of your

hands,

born along

the arborescent

wrinkles

ridges of your fingertips

and time

 

 

look closer and

you’ll mirror

reflections

of yourself

staring

back

Alone time is okay.

Alone time is okay. And it’s okay if some days you just want to dig into cloudy soil with muffled breaths to make a blanket out of morning sunlight and just go back to sleep. it’s okay if an assail of jitters takes over and all you do is sink- so let yourself sink, and let yourself fold into a beautiful paper crane. your wings might be tainted with vermillion cuts but know that they will heal with each  peppermint breath of silence. Dear, it’s okay if some days, faraway echos of laughter tug at you but your limbs only want to weave into empty spaces and places where your arms can stretch for miles.

it’s okay if unlike other flowers you don’t explode, pirouette with light around presences and constant talking. instead, you might just want to ease on the accelerator, eyes enraptured by one one pair of pupils at a time.

some take it fast, and gulp down the day all at once- but it’s also okay to glide from one second to the next,

expanding gently,

unfolding,

unbinding

with time and patience.

at times you just need to stop with a mouth full of marvel and a deep breath.

you bloom in quiet beautiful places, and that’s okay too,

because honey, in the end, we all water our flowers in different ways.

So dear, take your time hopping from soul to soul. languidly expand and you’ll find that meeting each individual glow will soon feel as soft as braiding hair underwater.

mystical speaking

she spoke of realms that exceeded the world and overflowed your mind, sprinkling evanescent glitter on the top of your head with the tips of her fingers. Open your mouth, she’ll place a pill behind your tongue; and it spreads like acid as she speaks of these unknown worlds, mouth shaping sound after sound oh so majestically. now you’re in a state of bliss questioning whether space even exists or does it only appear between each blink of her incandescent blue lashes. she speaks in elision and you also wonder if she’s got human blood flowing in her veins or does she come from mercury or some other elegant planet? one moment or another you’d expect her to turn taciturn, lean over, slice your tongue in half, pocket the pill and replace it with sugar.

you want her to teach you how to see sunlight under leaves or count how many arteries a tree has compared to a wave because you feel like she controls it all, controls how strongly the wind blows or how many clouds there will be today and what shapes they will form. but you know she’s most enchanting under an eclipse’s moonlight or early dawn, barefoot on your terrace. jaw slightly slack, eyelids too, and of course, speaking. you’ll make her soft fur accent into a pillow and fall asleep, dreaming of all those faraway realms she says one day she’ll visit.

writer’s block

Words may seem like the silliest of little things, stubborn and childish. At times, I find myself dragging them out by their baby fat arms, maybe even bribing them with fresh obsidian ink. Trust me, their heels stay grounded on the floor of your palate, shoes squeaking with friction as you pull and pull. When it gets worse, they simply cross their arms, huff out vehement resentment, then with their oddly shaped bodies, trot under your tongue. Now you’re really in trouble, because you can’t reach for them there. But you know they’ll come out eventually, they’ve got to eat somehow. You’ve given up, you’re sinking into the leather armchair, thinking, maybe you should just resort to making armchairs instead of writing. Practical, and there’s no hide and seek with them. And as you slowly fall asleep, with your jaw open, the words crawl out, one behind the other, and place themselves onto the paper, with infinite patience. With an ornate smile, they let themselves down, their spine going clack..clack..clack like the sound of a retractable pen being clicked.

wrong train thoughts

Overhead clouds and the girl sitting opposite me seems slightly unamused with it all. With how her reality is painted or with how the foldable table juts out into her thigh unlike a beautiful thorn but more like a polished rounded nuzzle of a plane. To her, I think, the world is made out of aluminium and tectonic plates, never close enough to clash. Grey and incandescent blue striped of a hoodie might just be her comfort zone- more than the trees sprouting out of the ground (maybe a bit too violently for her taste). She seems like a person that would would have coffee without sugar because extending her hand across the table would be more of a nuisance. She doesn’t seem very excited about her end destination, or maybe her mind’s too haywire to allow herself to figure out which emotion to splay out (so she settles with none). On a second thought, she’s ruminating. There’s hurt, and fear of broken piano keys, scared of hitting a C minor. Maybe she’s left a love behind. Definitely not on the wrong train.