Humans are so intricate, like finely tuned violins. If you strum them with enough fragility, they’ll sing you tunes that are out of this world. And for every phase of the moon or mercury, they’ll bathe you with their sweet little personalised melody. At times, these tunes full you up to the brim with melancholy hopeless despair, then they’ll tip you over like a water bottle as you watch yourself spill out your tales. Tales of how deep a cave your heart is and how many shadows splay upon it every time moonlight crawls in. Other times, it’s as if their tunes were to empty you all out. You’d imagine them place a straw and suck you dry when you never even realised you were a full bottle. They sing to you lullabies with a voice that dips down, then arches high with peppermint breath. All you do is lull your head back in pleasure, hands waving in the air, intertwining with all the magic around you.
Teeter-tottering between utter indignance and the shallow waters of seemingly-ancient preoccupations. Preoccupations that held upright the clay to form the statue that I was. Eyes frozen in place, head never to tilt a degree lower. Now, all that’s left is cellophane snakeskin, first shedding between the cracks, now peeled off completely- with the satisfaction of removing a used up, scratched up sticker. New flesh glistens, pumping and fuelling, beating unusually. Fingers skim over this newly polished marble surface, and only once or twice have they delved under. Floating back up to the surface, it’s the feeling of having tasted a first time: unimaginable, frighteningly beautiful bliss, you never knew you could find even after multiple sunsets of digging. It’s the feeling of cracking a prepubescent book spine open, or the desperate inhale of air after having childishly timed how long your lungs could go without oxygen. Then your fingers slip out of these depths and return to longingly caressing the surface. You’re not sure how many more times this marble floor will open up for you to dive into, or whether, with the seasons passing and your exhale blowing like the wind will wear the layers out. But after that one glimpse, your motor’s running and you’re ready for more.
Alone time is okay. And it’s okay if some days you just want to dig into cloudy soil with muffled breaths to make a blanket out of morning sunlight and just go back to sleep. it’s okay if an assail of jitters takes over and all you do is sink- so let yourself sink, and let yourself fold into a beautiful paper crane. your wings might be tainted with vermillion cuts but know that they will heal with each peppermint breath of silence. Dear, it’s okay if some days, faraway echos of laughter tug at you but your limbs only want to weave into empty spaces and places where your arms can stretch for miles.
it’s okay if unlike other flowers you don’t explode, pirouette with light around presences and constant talking. instead, you might just want to ease on the accelerator, eyes enraptured by one one pair of pupils at a time.
some take it fast, and gulp down the day all at once- but it’s also okay to glide from one second to the next,
with time and patience.
at times you just need to stop with a mouth full of marvel and a deep breath.
you bloom in quiet beautiful places, and that’s okay too,
because honey, in the end, we all water our flowers in different ways.
So dear, take your time hopping from soul to soul. languidly expand and you’ll find that meeting each individual glow will soon feel as soft as braiding hair underwater.
she spoke of realms that exceeded the world and overflowed your mind, sprinkling evanescent glitter on the top of your head with the tips of her fingers. Open your mouth, she’ll place a pill behind your tongue; and it spreads like acid as she speaks of these unknown worlds, mouth shaping sound after sound oh so majestically. now you’re in a state of bliss questioning whether space even exists or does it only appear between each blink of her incandescent blue lashes. she speaks in elision and you also wonder if she’s got human blood flowing in her veins or does she come from mercury or some other elegant planet? one moment or another you’d expect her to turn taciturn, lean over, slice your tongue in half, pocket the pill and replace it with sugar.
you want her to teach you how to see sunlight under leaves or count how many arteries a tree has compared to a wave because you feel like she controls it all, controls how strongly the wind blows or how many clouds there will be today and what shapes they will form. but you know she’s most enchanting under an eclipse’s moonlight or early dawn, barefoot on your terrace. jaw slightly slack, eyelids too, and of course, speaking. you’ll make her soft fur accent into a pillow and fall asleep, dreaming of all those faraway realms she says one day she’ll visit.
Words may seem like the silliest of little things, stubborn and childish. At times, I find myself dragging them out by their baby fat arms, maybe even bribing them with fresh obsidian ink. Trust me, their heels stay grounded on the floor of your palate, shoes squeaking with friction as you pull and pull. When it gets worse, they simply cross their arms, huff out vehement resentment, then with their oddly shaped bodies, trot under your tongue. Now you’re really in trouble, because you can’t reach for them there. But you know they’ll come out eventually, they’ve got to eat somehow. You’ve given up, you’re sinking into the leather armchair, thinking, maybe you should just resort to making armchairs instead of writing. Practical, and there’s no hide and seek with them. And as you slowly fall asleep, with your jaw open, the words crawl out, one behind the other, and place themselves onto the paper, with infinite patience. With an ornate smile, they let themselves down, their spine going clack..clack..clack like the sound of a retractable pen being clicked.
Overhead clouds and the girl sitting opposite me seems slightly unamused with it all. With how her reality is painted or with how the foldable table juts out into her thigh unlike a beautiful thorn but more like a polished rounded nuzzle of a plane. To her, I think, the world is made out of aluminium and tectonic plates, never close enough to clash. Grey and incandescent blue striped of a hoodie might just be her comfort zone- more than the trees sprouting out of the ground (maybe a bit too violently for her taste). She seems like a person that would would have coffee without sugar because extending her hand across the table would be more of a nuisance. She doesn’t seem very excited about her end destination, or maybe her mind’s too haywire to allow herself to figure out which emotion to splay out (so she settles with none). On a second thought, she’s ruminating. There’s hurt, and fear of broken piano keys, scared of hitting a C minor. Maybe she’s left a love behind. Definitely not on the wrong train.
Being reunited with your first childhood love is something that feels very sudden, out of place, yet completely in place: fitting like a puzzle piece into your life. Seeing her again is like closing my eyes on a rollercoaster and opening them again only when they tell you to take off your seatbelt: and you feel like you’ve missed out on this whole middle chunk and you wished you were there to see it (yet you also don’t), so you just get the end product delivered to you. No labels. No preamble. Just the person with a smile that has shifted slightly and eyes that have lost and gained hope for what seems like centuries. And you remember seeing her joyous and naïve and ignorant, her eyes wide open like gemstones begging for light, for life to hit them. But it’s still all there. And the whiff you smell when she passes you is always the same and you know that if you were to squeeze her all into one drop of essential precious oil, it would smell as strongly and beautifully as it did three years ago. She wears scars now, but she also wears the same golden nail polish, and this little curious quirk has popped up in her- and it drives me crazy: her curiosity for life. She’s sticking her tongue out to taste what it feels like to be alive. And I’ll always feel this infinite tenderness towards her.